What does "Evil is a light switch" mean?

Lex is leaning back in a chair with his eyes closed, listening to the sounds of the ocean, probably played on one of those super-expensive little Bose systems. As an audio wave crashes, a hand reaches for Lex, and Lex grabs the hand. It's Lana, and she's feeling saaaaad. Awwww. Poor widdle Wana. It makes me want to cwyyyy. All right, sorry, that's annoying. But not as annoying as Pinky Whinesalot over here. Lex looks surprised to see Lana, which is understandable given that she didn't knock or announce herself or have security call ahead. Lana deserves any red marks on her wrist she gets. Lana says she's interrupting. Lex gets up to turn off the ocean and says that while he hated the sound on the island, now it's the only thing that relaxes him. Oh, it's not a Bose system. But it is a pretty CD player. Lana says that Lex must think about what happened every day. It would be funny if Lex made up a dramatic story about how a coconut fell from a tree and crushed two small sand crabs whom he'd begun to think of as adoptive parents. Instead, Lex changes the subject: he guesses that's not why Lana came over. Because she's selfish and wouldn't care about anything in Lex's life anyway.

"Happened to be in the neighborhood," Paul explains. The neighborhood of Stalker Lane intersecting Crazy-Ass Avenue.

That's actual dialogue someone was paid to write for the WB series Smallville now in its fourth season. I bet you're better at whatever job you do, dear reader.

This is like three different conversations happening at the same time, none of them that interesting.

Clark is to friend what Battlefield Earth is to an Academy Award.

Clark is the biggest wuss since Sir Edmund Wuss of the British Army surrendered to a vicious pack of teddy bears in 1929.

Able to leap over past friendships in a single bound! Faster than a needed apology! More powerful than people who find it necessary to be polite! He's Superman. And he's an asshole.

That's actual dialogue someone was paid to write for the WB series Smallville now in its fourth season. I bet you're better at whatever job you do, dear reader.

Turning 31, it turns out, isn't as fun as turning, say, 25 or 30.

what episode is the, "Chloe, I could never outgrow you. Except vertically" quote from?

Clark and Papa Luthor each fall separately. Lex is just getting up. "Clark?" he asks. Papa Luthor, bewildered, turns to Lex with wide, farmboy eyes. And he's on his knees. It's Clark, all right.

What episode is this from? I remember reading it, but I can't remember.

Now, whatever you might think of the character of Poor Man's Paris, just try to feel a bit of sympathy for the actress that has to say the following bit of dialogue with a straight face: "First off, Wonderbra, laters!" That's actual dialogue someone was paid to write for the WB series Smallville now in its fourth season. I bet you're better at whatever job you do, dear reader.

Like many literary theorists who explore the potentially homoerotic underpinnings of homosocial male bonding, Gallaga ruthlessly brought to light all those looks of longing, casual touches, and furtive glances...

So... is there rhyme or reason for the stones and the sudden "Charmed" crossover?

So... is there rhyme or reason for the stones and the sudden "Charmed" crossover?