Now that I've watched again, I'd have to say the theme here was "don't be a pussy" ...
1. Chase wasn't: he gave an ending that said what he wanted to say, despite acknowledging that some fans would hate it.
2. The orange cat. BTW: a MALE cat, so it wasn't Ade. ;-)
3. The Brooklyn FBI agent's nudity.
4. Paulie, wimpering about seeing the Virgin Mary and fighting prostate.
5. The guys at the gas station, puking after seeing Flattened Phil
BTW: shout out to all the Lincoln references? Lincoln was killed at the
Ford Theater.
- I thought the "Made in America" connection would be the series, itself. As in, "It was 'made' by Americans who watched week after week" ...
- When Tony woke up and sat up, he did not have a sheet -- he had a blanket. Considering the time was Winter, not so surprising.
- Someone else posted this first, but I agree: that cat heard some electronic bug in that picture of Chrissy, IMO ... so moving it wouldn't keep the cat from locating it and staring at it again.
- LOVE that Angie checked out the bottom of the plate! (Didn't she have her own series called "Angie"?)
- After all, folks, this was only one episode. Movie analogies aside, why should it be the answer to everything? Slow and steady wins ...
- That kitchen Carm was looking at in the sampler was her kitchen!
- Makes sense to me that Agent Harrass was excited by PL's death -- they've all been building up these cases. Now AH's team will have a shot at prosecuting, not burying.
- AJ is the new Christopher
- I don't think 86 episodes will prevent THE SOPRANOS from airing in syndication. It's an hour long drama. There's plenty of content. And if SEX AND THE CITY failed, it was because it was watered down and it relied on sex and nudity. THE SOPRANOS also has murder and blood -- things that can be shown on TNT or A&E
- Kinda sad when Paulie walked into the Bing and it was all quiet
- Doesn't anyone know that you don't have to hit the bottle to get the ketchup out? Just use a butter knife and break the tension holding it in, and it pours right out
- There will be no "happily ever after"
- That garage where they had the meet looked like the CLEAVER set
- Tony loves innocent creatures, so it's not surprising he liked the cat. And Paulie's in big trouble if he does something to it!
- That cat walking down the sidewalk and lying down? CGI
- The song in the van when Tony and Paulie were waiting for AH? "Denise"
- The song on Paulie's cell phone? "Cecilia"
- Paulie's quote at the funeral "He's saying the framers intersected with the Ramistan at approximately the Paternoster"
- The line Dylan was singing as the fire destroyed the CD? "He can't sing with his tongue on fire" ... (sounded like to me. Don't have the actual lyrics ... anyone?)
- So Little Paulie was back in action! Nice!
- Toenails and fingernails and hair keep growing after death (As Christopher discovered in an episode the first season?) ... nice to see Mrs. Syl cleaning his toenails, and filing them ...
- Tony, Tony, Tone ... Tony on SOPRANOS, Tony awards on CBS ... coincidence? They had a SOPRANOS joke on the Tonys: David Hyde Pierce, appearing in a number from CURTAINS, the Bdwy musical he stars in, said "A soprano has been wacked ... no, not that soprano!" or some such comment ...
Along with the final Harry Potter this summer, this ending had me really worried. I think Americans (and perhaps other nationalities) expect a happy ending, even if they will applaud or appreciate a "real" ending. I know I would have been upset had Tony been killed. In fact, if any member of that family died, it would have colored the entire series in a bad way. I don't know that I could go back and watch the DVDs of previous seasons if I knew "but he dies at the end" ... and I think smart HBO people know this. They want to keep selling this product. If they had any influence in Chase's decision to end it as he did, they'd have come down on the side of "don't kill off Tony", IMO.
I also think it's sort of a male vs. female thing -- I think men are more excited by the idea of tragic endings than women. As much as I love the words of ROMEO AND JULIET, I hate the ending. WEST SIDE STORY was only marginally better, but would be one of my favorite musicals had Tony lived.
I understand that tragedy has its place, but it's an end to longevity for movies. The box office has shown this. If you have a sad ending, you don't make as much money. Directors have railed against this, but Hollywood understands. That's why in every episode of STAR TREK, if there was a new crew member, they were gonna die -- none of the stars.
It would have been more "artistic" and more "I'm in charge" of Chase to end it with Tony dead, or the family dead, or everyone dead. But instead he got as close as he could without ruining his creation. I admire him for it. I sort of suspect he's not thrilled with having to make the decision, though -- he didn't want the audience to love Tony, so he would have loved to let Tony have his just desserts. But with commerce ... truly something we make in America, he could only do what he did, IMO.
I want to also say that the argument against Tony being killed in the last moment, and therefore the blackout, in which his POV is talked about ... "it can't be Tony's death because the series wasn't from his perspective" etc. ... though I don't think Tony died, I do think it could be argued as a possible reason for the blackout. NOTHING is ever really from a character's perspective, because they don't shoot in POV after POV -- when Tony remembered his conversation with Bobby on the boat, he saw himself. He didn't even see Bobby's face in the memory they showed, because that was not what had been filmed. It's something I always thought might be interesting -- to show a character's memory as what they actually would see, which (unless there were mirrors around) would NOT include themselves.